The Composer
Here are several videos featuring my original music. I’ve had the privilege of recording my compositions alongside talented friends and musicians. Additionally, some of my works have been commissioned and premiered by the Classical Music Institute in San Antonio, Texas.
One noteworthy project is “Serenada.” During a summer visit to Venezuela, I collaborated with fellow string players from Merida. Together, we crafted this piece, and with the assistance of a dedicated media team, we produced a captivating video.
“Constanza” marked the second installment of its kind. In this rendition, I incorporated flutes into the composition, and a solo for myself.
Arcadian is one of my more recent audiovisual experiments, I did it entirely with virtual Instruments and the visuals from the DAW to walkthrough the composition.
Pendulous
12 violin tracks
Spitfire Audio Felt Piano, BBC Symphony Orchestra Core for Celli and Bass Pizz.
Serenade for Strings:
“Legacy”:
I believe the term “Legacy” aptly encapsulates his entire body of work. Notably, the 5th Symphony stands out as one of his most recognizable compositions. In this piece, I incorporated a quote from the Symphony’s 3rd movement, adapted to a 3/4 time signature, and subtly referenced the Symphony’s main motive in the closing bars.
“Wien”:
While Beethoven isn’t typically associated with waltzes, I took inspiration from his time in Vienna and composed a waltz titled “Wien”. Drawing from the 3rd movement of his 4th Symphony, I wove its themes into this delightful piece.
“Solitude”:
“Solitude” reflects Beethoven’s personal struggle with deafness. Here, I revisited my original theme from the 1st movement, now in a minor key and set to a different, more extended time signature. Additionally, I incorporated a theme from the 1st movement of Beethoven’s 7th Symphony.
“1806”:
The title “1806” emerged after learning that it was the year Beethoven composed his violin concerto. Briefly quoting from that concerto, I continued with an original harmonic progression, creating a reflective mood.
Finale:
To conclude the piece, I aimed to evoke the serene essence of Beethoven’s 9th Symphony without directly quoting it. Instead, I turned to the 3rd movement of his 6th Symphony, infusing the finale with joy.
